Michelle ( Kate Hodge) and Ryan ( William Butler) witness a hitchhiker, “Tex,” ( Viggo Mortensen) engage in a fight with the owner of a remote gas station, Alfredo ( Tom Everett). Mihailoff) lives on to wreak havoc on a young couple traveling through Texas. In a brazen act of retroactive continuity by the new director, Jeff Burr, Leatherface ( R.A. Related: First Poster for the New 'Texas Chainsaw Massacre' Sequel Reveals a Terrifying Leatherface Leatherface: The Texas Chainsaw Massacre III (1990) The movie ends with Leatherface and his family meeting a terrible end… but we all know better than that. He helps track down Leatherface and his homicidal family members (who may or may not have won the Chili Cook-Off by using human flesh) with the help of radio DJ Vanita “Stretch” Brock ( Caroline Williams). Audiences cringe and squirm as they watch Leatherface ( Tom Morga and Bill Johnson) torment and dismember teenagers with his trademark weapon of choice.ĭennis Hopper stars as Lieutenant Boude “Lefty” Enright, the uncle of the victims Sally and Franklin Hardesty of the first movie. Departing from the atmospheric style of the first movie, The Texas Chainsaw Massacre 2 delves into campy black comedy and gore. More than a decade after the initial Texas Chain Saw Massacre, Tobe Hooper returns as director to create the sequel. A perfect movie to watch on a first date. The rest of the group is subsequently killed off in increasingly horrifying and grotesque ways by Leatherface and his backwoods, cannibalistic family, the Sawyers. He attacks the couple savagely, killing Kirk and goring Pam with a meat hook. There, Leatherface ( Gunnar Hansen), a large, hulking man wearing a mask made of human skin, makes his first appearance. Leatherface is a horror icon, and 'The Texas Chain Saw Massacre' is a landmark movie that remains essential viewing for every horror buff.Pam ( Teri McMinn) and her boyfriend Kirk ( William Vail) wander off in search of a nearby pond to swim in and come across another farmhouse. I don't think it's an exaggeration to compare it to Boris Karloff in the original 'Frankenstein'. An amazing performance with his features obscured and no real dialogue to speak of. Gunnar Hansen is absolutely extraordinary as Leatherface. One would have thought both would have went on to bigger things watching their performances in this movie but sadly it wasn't meant to be. Partain (who went on to bit parts in 70s Drive-In faves 'Race With The Devil' and 'Rolling Thunder' and very little else). ![]() The cast, all unknowns at the time, and from what we know know paid diddley squat, are all pretty good, especially Marilyn Burns (who Hooper used in his underrated 'Eaten Alive' and who also appeared in the Charles Manson TV biopic 'Helter Skelter'), and whiny paraplegic Paul A. The terror isn't compromised, the uneasy giggles make the extreme images even more difficult to dismiss. There is an undercurrent of bizarre black humour underneath the film, a lot subtler than the sequel and other more obvious "horror comedies". This movie was one of the most controversial of the 1970s, censored or banned here in Australia, and in Britain, and despite the hundreds of horror movies released since, it is still powerful and fresh. Uncompromising movies, pure horror that makes no attempt to water themselves down and court a mainstream audience. These actors never have to set in front of a camera again, they'll never be forgotten by horror buffs worldwide! In this day and age of cynically conceived and marketed MTV-friendly teen slashers it's a revelation to see old school horror classics like this, Romero's 'Night Of The Living Dead' and Craven's 'Last House On The Left'. As would Leatherface (Gunnar Hansen) and his twisted family played by Edwin Neal and Jim Siedow, and immortal scream queen Marilyn Burns. Hooper's subsequent career has ben extremely uneven, and frequently disappointing, but even if he never made another movie he would still be a legendary figure. Tobe Hopper's 'The Texas Chain Saw Massacre' is a landmark low budget horror movie which must be considered a modern classic.
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